{"product_id":"978-0240817071-3-diy-stereoscopic-moviemaking-on-an-indie-budget-0240817079","title":"3-DIY","description":"\u003cp style=\"text-align: justify;\"\u003eA must-have read for anyone looking to take their independently-produced film or video into the 3\u003csup\u003erd\u003c\/sup\u003e dimension. The text features technical, practical, and inspirational insight from the visionaries who've been producing 3D film and video for decades, not just in the recent past. They offer low-cost techniques and tricks they've been implementing themselves for years. A variety of styles are discussed, from full CG to time lapse - even a film made during a freefall skydive jump!\u003c\/p\u003e\n\u003cp style=\"margin-top: -4px; margin-bottom: 14px; padding: 0px; font-family: Arial, sans-serif; line-height: 22.4px; text-align: justify; background-color: rgb(255, 255, 255);\"\u003e\u003cstrong\u003eThe filmmakers discuss\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eOptions for on-set playback\u003c\/li\u003e\n\u003cli\u003ePreparing for final playback in various formats\u003c\/li\u003e\n\u003cli\u003eAdapting existing technology to your needs\u003c\/li\u003e\n\u003cli\u003ePost production software choices\u003c\/li\u003e\n\u003cli\u003eWorking with computer graphics in 3D\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp style=\"text-align: justify;\"\u003eThis book includes 3D glasses and a companion YouTube channel featuring the work of the filmmakers featured in the book (which you can view in 3D with the glasses), as well as the opportunity for you to upload your own videos for critique and feedback from the author and others.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eTable of Content\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white;\"\u003eEric Kurland: Shooting 720p 3-D with two Canon T-X1 ConsumerCameras\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eCeline Tricart: Stereoscopic Storytelling\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eAlexander Lentjes: Creating a 3D Homage to Bad Films\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eEric Deren: Shooting 3D Video in Freefall\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eSean Isroelit and Jeff Amaral: Producing 3D with High Tech Toolsand Talents\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eJo Eldoen and Karl Bryhn: Creating Abstract CG Animation on theZ-Axis\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eJohn Hart: Shooting Time-Lapse 3D Movies with Digital StillCameras\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eRyan Suits: Shooting Black Light in 3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eSantiago Caisedo: Inventing 3D Movies from Mixed Toolsets\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eStephen Les: Editing with Cineform Neo3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eTakashi Sekitani: Getting Creative with Canine POV andHyperstereo in 3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eZoe Beloff: Creating Apparitions in 3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eBernard Mendiburu and Eric Kurland: The World's First 720pInternational Skype 3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eTommy Tripodes: Building a 3D System in Film School\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eTom Koester: Doing It All in 3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eRay Zone: Making 3D Movies with a Stereo Club\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eJohn E. Hart: Jesting with Urban Legends in the Short 3D Film\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eRon Labbe: From the Computer Monitor to the Giant Screen\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003ePhil McNally: Making a Short Film to Get a Job in Hollywood\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eJohn Rupkalvis: Making 3D Camera Systems Smaller\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003ePerry Hoberman: Performing and Inventing 3D\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eStephen Gibson: Shooting and Finishing a 3D Feature Film on theDesktop\u003c\/p\u003e\n\u003cp style=\"margin: 0in 0in 4.9pt; background-image: initial; background-color: white; box-sizing: border-box; max-width: 680px;\"\u003eAl Razutis: A Complete 3D Artist\u003cspan style=\"-webkit-tap-highlight-color: rgba(0, 0, 0, 0); font-size: 11px;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Routledge","offers":[{"title":"Paperback","offer_id":50590342119494,"sku":"9780240817071","price":1304.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0754\/2797\/1142\/files\/9780240817071.jpg?v=1790315190","url":"https:\/\/cb-india.com\/products\/978-0240817071-3-diy-stereoscopic-moviemaking-on-an-indie-budget-0240817079","provider":"Computer Bookshop (India) Pvt Ltd","version":"1.0","type":"link"}